Bageshri
| Thaat | Kafi |
|---|---|
| Type | Audav Shadav/ Audav-Sampurna / Shadav sampurna Or sampurna sampurna |
| Time of day | 2nd Prahar of the Night (9PM to 12AM) |
| Arohana | S g m D n S' |
| Avarohana | S'n D m g R S
Or S' n D m P D g m g R SOr S' n D,P D n D m g, R G m g R S |
| Pakad | D n s, m, m P D, m g R S |
| Vadi | Ma |
| Samavadi | Sa |
| Synonym | Vagishvari |
| Similar | Rageshri |
| Hindustani classical music |
|---|
| Concepts |
| Genres |
| Thaats |
Raga Bageshri or Bageshree (IAST: Bāgeśrī) is a Hindustani raga. It is meant to depict the emotion of waiting for reunion with one's lover. Being a very melodic raga it has gained popularity over the centuries. Like all ragas, Raga Bageshri traces its origins to the Samaveda, a sacred Hindu text with roots that likely date back to around 1500 BCE, though its oral tradition could be much older.
Raga Bageshri is a night time raga (madhya raatri Ragsamaya), written in Kaafi thaat, Ma Vadi, Sa Samvadi, 5/7 Jati, Hasya Rasa (associated with joyful, the comic, and happy emotions).
In modern days, people like the popular Hindi music director C.Ramchandra favour composing songs in Bageshri, as he found it simple. In a 1978 interview at BBC studios with Mahendra Kaul, he explained this, while playing songs like (Radha na bole – Azad, 1955) that were set to Bageshri.