Cady Noland

Cady Noland (born 1956) is an American sculptor, printmaker, and installation artist who primarily works with found objects and appropriated images. Her work, often made with objects denoting danger, industry, and American patriotism, addresses notions of the failed promise of the American Dream, the divide between fame and anonymity, and violence in American society, among other themes. Many of her works have involved architectural interventions in gallery spaces, including fences, barricades, and metal poles meant to guide or restrict the audience's movements. She has drawn extensively on media and tabloid imagery in her work, regularly using images of notable criminals, celebrities, and public figures involved in scandal. Art critic Peter Schjeldahl called Noland "a dark poet of the national unconscious."

Noland has participated in several high profile exhibitions, including the 44th Venice Biennale (1990), Whitney Biennial (1991), and Documenta 9 (1992). After widely exhibiting her art in the 1980s and 1990s to broad acclaim, Noland largely stopped presenting her work for nearly two decades. She began exhibiting again in the late 2010s, staging a museum retrospective in 2018 and exhibitions of new work in the early 2020s. A wide range of critics have written extensively about her influence on contemporary art beginning in the 1990s, in particular the seeming visual randomness of her often-sprawling installations, a characteristic broadly emulated by other artists.

She is also known for her numerous disputes and lawsuits with museums, galleries, and collectors over their handling of her work. Noland was the subject of several legal disputes with collectors in the 2010s after she "disavowed" artworks that she no longer considered genuine due to damage or restoration. On several occasions she has requested the removal of her work from group exhibitions, and she has required art dealers and gallerists to post disclaimers at unauthorized exhibitions to inform audiences that she did not agree to participate. She has also been noted for her reluctance to be publicly identified, having only ever allowed two photographs of herself to be publicly released.