Claude Cahun
Claude Cahun  | |
|---|---|
| Born | Lucy Renee Mathilde Schwob 25 October 1894 Nantes, France  | 
| Died | 8 December 1954 (aged 60) | 
| Resting place | St Brelade's Church 49°11′03″N 2°12′10″W / 49.1841°N 2.2029°W  | 
| Known for | Photography, writing, sculpture, collage | 
| Movement | Surrealism | 
| Partner | Marcel Moore (1909–1954) | 
Claude Cahun (French pronunciation: [klod ka.œ̃], born Lucy Renee Mathilde Schwob; 25 October 1894 – 8 December 1954) was a French surrealist photographer, sculptor, and writer.
Schwob adopted the pseudonym Claude Cahun in 1914. Cahun is best known as a writer and self-portraitist, who assumed a variety of performative personae.
In her writing, Cahun mostly referred to herself with grammatically feminine words, but she also said that her actual gender was fluid. For example, in Disavowals, Cahun writes: "Masculine? Feminine? It depends on the situation. Neuter is the only gender that always suits me." Cahun is most well known for her androgynous appearance, which challenged the strict gender roles of her time.
During World War II, Cahun was also active as a resistance worker and propagandist, founding the leftist group Contre Attaque, a union of communist writers, artists and workers, alongside André Breton and Marcel Moore.