Dziga Vertov
Dziga Vertov | |
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Vertov (a.k.a. David Kaufman) in 1913 | |
| Born | David Abelevich Kaufman 2 January 1896 Białystok, Russian Empire |
| Died | 12 February 1954 (aged 58) Moscow, Soviet Union |
| Occupation(s) | Film director, cinema theorist |
| Years active | 1917–1954 |
| Notable work | Kino-Eye (1924) A Sixth Part of the World (1926) Man with a Movie Camera (1929) Enthusiasm (1931) |
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Dziga Vertov (born David Abelevich Kaufman; 2 January 1896 [O.S. 21 December 1895] – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman.
In the 2012 Sight & Sound poll, critics voted Vertov's Man with a Movie Camera (1929) the eighth-greatest film ever made.
Vertov's younger brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Yelizaveta Svilova. He worked with Boris Kaufman and cinematographer Mikhail Kaufman on his most famous film Man with a Movie Camera.