Gravettian
Left: Female face, ivory carving, Dolní Věstonice, Gravettian, circa 26,000 BP. Right: Venus of Willendorf, circa 25,000 BP. Middle: Engraving on a mammoth tusk. Bottom: Main Gravettian sites | |
| Geographical range | Europe |
|---|---|
| Period | Upper Paleolithic |
| Dates | 33,000 to 21,000 BP |
| Type site | La Gravette |
| Major sites | Dordogne |
| Characteristics | Venus figurines |
| Preceded by | Aurignacian |
| Followed by | Solutrean, Epigravettian |
| Defined by | Dorothy Garrod, 1938 |
The Gravettian is an archaeological industry of the European Upper Paleolithic that succeeded the Aurignacian circa 33,000 years BP. It is archaeologically the last European culture many consider unified, and had mostly disappeared by c. 22,000 BP, close to the Last Glacial Maximum, although some elements lasted until c. 17,000 BP. In modern-day Portugal, Spain and France, it was succeeded by the Solutrean and by the Epigravettian in Italy, the Balkans, Ukraine and Russia.
The Gravettian culture is known for their artistic works including the famous Venus figurines, which were typically carved from either ivory or limestone. The culture was first identified at the site of La Gravette in the southwestern French department of Dordogne. While historically assumed to represent a genetically homogenous group, recent analysis of ancient DNA sequences suggests that the Gravettian was produced by multiple genetically divergent groups of hunter-gatherers. Eastern Gravettian-producing groups belong to the Věstonice cluster, while western Gravettian-producing groups belong to the Fournol cluster, both of which have genetic continuity from producers of the earlier Aurignacian. Fournol cluster-related groups are thought to be the ancestors of the producers of the following Solutrean and Magdalenian cultures present in Western Europe after the Last Glacial Maximum, while the producers of the Epigravettian are genetically distinct from Gravettian-producing groups.