J'en ai marre!

"J'en ai marre !"
Single by Alizée
from the album Mes courants électriques
LanguageFrench
Released21 February 2003
Recorded2002
StudioStudio Guillaume Tell (Suresnes)
Studio Davout (Paris)
Genre
Length5:12
LabelPolydor
Songwriter(s)Mylène Farmer
Producer(s)
Alizée singles chronology
"Gourmandises"
(2001)
"J'en ai marre !"
(2003)
"J'ai pas vingt ans"
(2003)
Music video
"Alizée - J'en ai marre ! (Clip Officiel HD)" on YouTube
Music video
"Alizée - I'm fed up ! (Official Video HD)" on YouTube

"J'en ai marre !" (English: "I'm fed up !") is a song by French pop singer Alizée, released on 21 February 2003, as the debut single for her second studio album, Mes courants électriques (2003), through the label Polydor. The song was written by Mylene Farmer, and production was managed by Laurent Boutonnat and Farmer as well. Lyrically, it expresses frustration, rebellion, and a yearning to break free from monotony and expectations. Through playful and metaphorical language, the song captures a young woman’s irritation with societal pressures, gossip, and artificiality.

Upon release, the single achieved notable success both commercially and critically. In France, it peaked at number four on the French Singles Chart and was certified gold by the Syndicat National de l'Édition Phonographique (SNEP), signifying sales of over 250,000 copies. Internationally, the track resonated with audiences, reaching number two on the Japanese charts and charting within the top 30 in countries such as Belgium (Wallonia), Germany, and Italy. In Austria and Switzerland, it secured positions within the top 50, further cementing its European appeal. The song's widespread popularity and certifications underscore its impact during its release period.

The music video for "J'en ai marre!" presents a vivid visual metaphor for confinement and emotional release. Directed by Olivier Megaton, the video features Alizée enclosed in a transparent glass cubicle, symbolizing a fishbowl, where she performs in a red jumpsuit. Throughout the video, she interacts with the confines of her enclosure—pressing against the glass walls, throwing a tennis ball, and even smashing a camera—while water gradually fills the space, enhancing the sensation of entrapment. In the climax, Alizée breaks through the glass, signifying a powerful act of liberation and defiance.