Mardi Gras Indians
The Mardi Gras Indians (also known as Black Masking Indians or Black Maskers) are African American Carnival revelers in New Orleans, Louisiana, known for their elaborate suits and participation in Mardi Gras. The Mardi Gras Indians subculture emerged during the era of slavery from West African, Afro-Caribbean and Native American cultural practices. The Mardi Gras Indians' tradition is considered part of the African diasporan decorative aesthetic, and is an African-American art form.
The Mardi Gras Indian tradition developed as a form of cultural resistance when traditional African religions were banned and Black people could not gather in public or wear masks. Their aesthetic serves as an expression of their culture, religion and spirituality. The tradition of "masking" derives from the West African masquerade ceremony, in which an individual takes on the role of a god or spirit. Some Mardi Gras Indians mask as the Native American allies who shielded their ancestors during slavery; others mask as orisha spirits from the Yoruba religion, or as spirits of the dead, such as the Skull and Bones gangs. Mardi Gras Indians' suits (regalia) and performances provide commentary on social justice issues, political liberation, and transformation. Their ceremonial purposes include healing, protection from the unknown, and communion with the spirits.
Mardi Gras Indians call their krewes "tribes" or "gangs",: 3 which should not be confused with Native American tribes. Tribes takes their names from street names, ancestry and important cultural figures. There are more than 40 active tribes, which range in size from half a dozen to several dozen members. Groups are largely independent, but a pair of umbrella organizations loosely coordinates the Uptown Indians and the Downtown Indians. Their suits are displayed in museums in Louisiana and the Smithsonian. The complex designs of these suits are unique to the Mardi Gras Indian artistic community.
In addition to Mardi Gras Day, many of the tribes also parade on Saint Joseph's Day (March 19) and the Sunday nearest to Saint Joseph's Day ("Super Sunday"). Traditionally, these were the only times Mardi Gras Indians were seen in public in full regalia. The New Orleans Jazz & Heritage Festival began the practice of hiring tribes to appear at the Festival as well. In recent years, it has become more common to see Mardi Gras Indians at other festivals and parades in the city. According to Joyce Marie Jackson of Tulane University, the Mardi Gras Indians' fusion of American Indian and West African motifs and music creates "a folk ritual and street theater unique to New Orleans".