Paul Hausser
| Paul Hausser | |
|---|---|
| Hausser in 1941 | |
| Other name(s) | Paul Falk | 
| Born | 7 October 1880 Brandenburg an der Havel, Brandenburg, German Empire | 
| Died | 21 December 1972 (aged 92) Ludwigsburg, Baden-Württemberg, West Germany | 
| Buried | |
| Allegiance | |
| Branch | |
| Years of service | 
 | 
| Rank | 
 | 
| Service number | NSDAP #4,138,779 SS #239,795 | 
| Commands | |
| Battles / wars | |
| Awards | Knight's Cross of the Iron Cross with Oak Leaves and Swords | 
| Spouse(s) | Elisabeth Gerard  (m. 1912–1972) | 
| Children | 1 | 
| Other work | Founder of HIAG, Waffen-SS lobby group | 
Paul Hausser, also known by his birth name Paul Falk post war (7 October 1880 – 21 December 1972), was a German general and, together with Sepp Dietrich, one of the two highest ranking commanders in the Waffen-SS. He played a key role in the post-war revisionist efforts by former members of the Waffen-SS to achieve historical and legal rehabilitation.
Hausser served as an officer in the Prussian Army during World War I and attained the rank of general in the inter-war Reichsheer. After retirement, he joined the SS and was instrumental in forming the Waffen-SS. During World War II, he rose to the level of army group commander. He led Waffen-SS troops in the Third Battle of Kharkov, the Battle of Kursk and the Normandy Campaign.
After the war he became a founding member and the first spokesperson of HIAG, a lobby group and a negationist veterans' organisation, founded by former high-ranking Waffen-SS personnel in West Germany in 1951. It campaigned for the restoration of legal and economic rights of the Waffen-SS employing a multi-prong propaganda campaign to achieve its aims.
Hausser wrote two books, arguing the purely military role of the Waffen-SS and advancing the notion that its troops were "soldiers like any other", according to the title of the second book. Under Hausser's leadership, HIAG reshaped the image of the Waffen-SS as a so-called pan-European force that fought honorably and had no part in war crimes or Nazi atrocities. These notions have been rejected by mainstream historians.