Portal:Writing

Writing is the act of creating a persistent representation of language. A writing system includes a particular set of symbols called a script, as well as the rules by which they encode a particular spoken language. Every written language arises from a corresponding spoken language; while the use of language is universal across human societies, most spoken languages are not written.

Writing is a cognitive and social activity involving neuropsychological and physical processes. The outcome of this activity, also called writing (or a text) is a series of physically inscribed, mechanically transferred, or digitally represented symbols. Reading is the corresponding process of interpreting a written text, with the interpreter referred to as a reader.

In general, writing systems do not constitute languages in and of themselves, but rather a means of encoding language such that it can be read by others across time and space. While not all languages use a writing system, those that do can complement and extend the capacities of spoken language by creating durable forms of language that can be transmitted across space (e.g. written correspondence) and stored over time (e.g. libraries). Writing can also impact what knowledge people acquire, since it allows humans to externalize their thinking in forms that are easier to reflect on, elaborate on, reconsider, and revise. (Full article...)

Modernist poetry is a mode of writing that is characterized by two main features. The first is technical innovation in the writing through the extensive use of free verse. The second is a move away from the Romantic idea of an unproblematic poetic 'self' directly addressing an equally unproblematic ideal reader or audience.

Modernist poetry in English is generally considered to have emerged in the early years of the 20th century with the appearance of the Imagist poets. In common with many other modernists, these poets were writing in reaction to what they saw as the excesses of Victorian poetry, with its emphasis on traditional formalism and overly flowery poetic diction. In many respects, their criticism of contemporary poetry echoes what William Wordsworth wrote in the Preface to Lyrical Ballads to instigate the Romantic movement in British poetry over a century earlier.

In general, the modernists saw themselves as looking back to the best practices of poets in earlier periods and other cultures. Their models included ancient Greek literature, Chinese and Japanese poetry, the troubadours, Dante and the medieval Italian philosophical poets (such as Guido Cavalcanti), and the English Metaphysical poets.

Much of the early poetry produced by these writers took the form of short, compact lyrics. However, as modernist poetry in English developed, longer poems came to the fore. These long poems represent the main contribution of the modernist movement to the 20th century English poetic canon. (Full article...)

The following Wikimedia Foundation sister projects provide more on this subject: