Soukous
| Soukous | |
|---|---|
Congolese band Loketo (left to right: Jean Baron, Aurlus Mabélé, Mav Cacharel; standing: Diblo Dibala) recording a studio album in 1985. | |
| Stylistic origins | |
| Cultural origins | Late 1960s in DRC and Republic of the Congo, 1980s in France |
| Derivative forms | Muziki wa dansi and ndombolo |
| Regional scenes | |
| Congolese sound (Kenya, Uganda, Tanzania), fast-paced soukous (Paris) | |
| Other topics | |
| Soukous musicians | |
Soukous (from French secousse, "shock, jolt, jerk") is a genre of dance music originating from the Democratic Republic of the Congo (formerly Zaire) and the Republic of the Congo (formerly French Congo). It derived from Congolese rumba in the 1960s, with faster dance rhythms and bright, intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences.
Soukous fuses traditional Congolese rhythms with contemporary instruments. It customarily incorporates electric guitars, double bass, congas, clips, and brass/woodwinds. Soukous lyrics often explore themes of love, social commentary, amorous narratives, philosophical musings, and ordinary struggles and successes. Singers occasionally sing and croon in Lingala, Kikongo, French and Swahili and bands often consist of a primary vocalist accompanied by several backing singers.